As promised the chart for 1948, with the sales of the 78rpm records at the side (in thousands). At first glance you will notice that many of the tracks are the same song, just sang by different people. The main reason for this is due to song publishers and their relationship with the record companies. Few artist back then wrote their own songs. So songwriters would hang around music publisher's offices hoping to get the song they had written published. The publishers would then take the songs to a record company and all the A&R men would select the songs for the artists under the label. A very popular song could see several artists under a load of labels all recording it (sometimes 16 versions). However due to the war a lot of English songwriters had been killed and so most of the songs were coming from the USA. Some record companies liked to get a UK act to sing/record the song before the American artist got the sort of original version out in the UK. This system stays around till the sixties when Lennon & McCartney put the death blow to it.
That should explain that, now to how the chart was affected. Influence number one had to be Radio Luxembourg. This powerful Medium Wave transmitter was broadcasting popular music across the UK. In fact it was the same station that broadcast the propaganda messages of Lord Haw-Haw during the war, after being captured by the Germans. The BBC stations at that time were more likely to ban songs than play them, it was also not wanting to broadcast USA material as it thought it low brow and not the sort of thing the BBC should be doing! A lot of the time the BBC would have a live orchestra playing and not the singer. And you can see several tracks of the Orchestra Version in the chart. Luxembourg would often play a certain record by a certain artist, but if you went to some record shops to buy it you would be given the record by a different artist. This was due to record shops being dealers. So an HMV dealer was only allowed to sell HMV records and not Decca label products. None HMV dealers could sell anything they wanted except HMV of course!
Influence number two has to be the movies. With picture going at it's all time high, with some of the still biggest selling movies (which most of us younger than that time would say "what") bigger than modern day blockbusters, it's no surprise to see songs featured in them riding high into the top 40.
Another lesser effect was the stage musical or show. These would later be made into movies such as "Oklahoma!" and we see at number 6 one of the songs from it. Oddly enough after I got hold of this chart, I was looking up Richard Tauber's version on the net, and found that he had sadly died the week this chart covered. Which sort of explains why the record released in October 1947 was so high in the chart. It seems therefore this is the first time recorded that the public went out and bought a record by a artist who had just died. Not unlike more recent times with Elvis, Lennon, plus more recent still Jackson.
The only other thing that would have given the records a boost was the Sheet Music charts. These were the top 20 sheet music sales. They often had the artist picture on the cover, who was most linked to the song. Containing the lyrics and the notes to play on say a piano. Which many houses did have back then. Sheet music was cheaper than a record at 1 Shilling (5p). In my quest to get all the numbers ones in the Real Chart, I recently got the Radio Revellers Shoemaker's Serenade 78 rpm record from the same year, which had a original price of 3/11 on it! Over triple the price of the sheet music!!
The sales on this chart are high by the way, due to a combination of several weeks and the holiday season. They fall off a few weeks after this chart sharply.That should explain that, now to how the chart was affected. Influence number one had to be Radio Luxembourg. This powerful Medium Wave transmitter was broadcasting popular music across the UK. In fact it was the same station that broadcast the propaganda messages of Lord Haw-Haw during the war, after being captured by the Germans. The BBC stations at that time were more likely to ban songs than play them, it was also not wanting to broadcast USA material as it thought it low brow and not the sort of thing the BBC should be doing! A lot of the time the BBC would have a live orchestra playing and not the singer. And you can see several tracks of the Orchestra Version in the chart. Luxembourg would often play a certain record by a certain artist, but if you went to some record shops to buy it you would be given the record by a different artist. This was due to record shops being dealers. So an HMV dealer was only allowed to sell HMV records and not Decca label products. None HMV dealers could sell anything they wanted except HMV of course!
Influence number two has to be the movies. With picture going at it's all time high, with some of the still biggest selling movies (which most of us younger than that time would say "what") bigger than modern day blockbusters, it's no surprise to see songs featured in them riding high into the top 40.
Another lesser effect was the stage musical or show. These would later be made into movies such as "Oklahoma!" and we see at number 6 one of the songs from it. Oddly enough after I got hold of this chart, I was looking up Richard Tauber's version on the net, and found that he had sadly died the week this chart covered. Which sort of explains why the record released in October 1947 was so high in the chart. It seems therefore this is the first time recorded that the public went out and bought a record by a artist who had just died. Not unlike more recent times with Elvis, Lennon, plus more recent still Jackson.
The only other thing that would have given the records a boost was the Sheet Music charts. These were the top 20 sheet music sales. They often had the artist picture on the cover, who was most linked to the song. Containing the lyrics and the notes to play on say a piano. Which many houses did have back then. Sheet music was cheaper than a record at 1 Shilling (5p). In my quest to get all the numbers ones in the Real Chart, I recently got the Radio Revellers Shoemaker's Serenade 78 rpm record from the same year, which had a original price of 3/11 on it! Over triple the price of the sheet music!!
By the way the only number one from the late 40's I have not got is Bill Johnson's We'll Keep A Welcome. From 1949 on the Columbia label (DB2574). If anyone has a recording of it let me know! Now you can see the very first number one from Leslie Hutchinson in this video I made...
